Showing posts with label aboriginal art. Show all posts
Showing posts with label aboriginal art. Show all posts

Sunday, August 29, 2010

Singapore Day One: Chili Crab, Malay Food, Too Much Walking, Hostel Culture



When I go to a new place I walk, and I walk with serious commitment. Walking is, I think, the best way to quickly and viscerally get a sense of a new location: you figure out where things are, you learn how to cross the street, you cross through neighborhoods, buroughs, and districts, you begin to become an inhabitant. I feel quite a bit of this is lost when you take public transportation (metros, buses) instead - there isn't the physical connection, there isn't the sense of Point A to Point B. This is a convoluted way of saying I walked my ass off in Singapore.

I got into the expectedly sparkly-clean airport at around 6:00 in the morning, and went through the equally painless customs area. Hopped into a cab and was conveyed to my hostel in Little India quickly and easily. I had a long discussion with the cabbie about everyone's favorite topic, food. We got into the standard good-natured pissing match dance of weird things we eat, and he finally ceded defeat when I mentioned that I adore kimchi and that my dad makes excellent chili crabs. "Goodness, you're too Asian for me," he said, in a low whistle. I suppose that is flattering.

The hostel was clean enough and decorated in that hippie-chic way of hostels everywhere. "It's too early for check-in, but you're welcome to crash here," the attendant said, gesturing to a stand of bean-bags. I took his advice. I crashed.

I woke up about two hours later to an entry-way full of backpackers, most of them spreading butter on toast and ambling around bleary-eyed and hang overed. The hostel offered free internet services, which I availed msyelf of, doing some quick and dirty research on good stuff to eat and things to do. I had, incredibly, failed to do this before-hand in Australia. Maybe I got distracted in Kalbarri.



I finally got myself in order and jumped onto the street. Little India, I was chuffed to discover, really is Little India. It's like a chunk of Bangalore transmuted into Singapore, down to Bollywood dance-clubs, Ramadan celebrating mosques, guys with a habit of staring too much and chai wallahs dispensing idlis, appams, and dosai to hordes of guys wearing linen clothing and chappals. I grabbed a little plastic cup of masala tea (in classic Indian style) and proceeded to point myself in the general direction of the water. It was a bit far, but I knew that. The Raffles was conveniently located along the way.


I took a lot of photos of the Raffles. This is due to a lifelong and indisputably bourgeios love of ultra fancy hotels. I'm going to hell. An ancedote: I walked through one of Singapore's countless high brow hotels - maybe it was the Conrad - and found myself missing my parents a lot. I could not initially figure this out, until I realized that I had spent all our family vacations in fancy international chain hotels with concierge desks and tasteful but decadent decorations and fountains that were just shy of tacky and so on and so forth. This may be indicative of a deep internal sickness or simply part and parcel of how I live and how my family lives (for a couple generations, now). We have conducted our largely very happy lives in international hotels with concierge desks and bellhops in stupid outfits. Chocolate on the pillow (if you're lucky) and the Concierge Floor for our Very Special Guests. I like staying in hostels or homestays but sometimes I just want sterile and vast efficiency (unironically).

And the Raffles is colonialism personified, encapsulated, even. It was built in a style meant to approximate some sort of paradise-like Balinese rest house and it achieves its goal quite brilliantly. It's a very open air hotel with a lot of catwalks and courtyards and hidden fountains, and staff everywhere padding around and trying to look inobtrusive. The doormen are, naturally, large and scary looking Sikh's. How did the Sikh's get a monopoly on body guard and door man status all across Asia, again? I considered coming back later in the evening so that I might write and try to look degenerate and strung out, but decided it was in fact not worth paying 20 bucks for a Singapore Sling for the privelege. I fucking hope you get to keep the glass!



The Youth Olympics were going on in Singapore, and the city was appropiately kitted out with giant movie-screens, sports paraphenlia, and cartoons of adorable mascots to celebrate. It looks to me like all this kerfuffle over the youth Olympics is Singapore's way of making a play for the real Olympics - which, judging by this go-round, they'd do a bang up job of.


These mascots are kinda emotionally distressing.

Certainly there were endless crowds of school kids en route to the events (and probably to compete), and a lot of grown up representatives of the teams stalking the streets and looking lost. I had never run across a pack of dramatically hirsute Azer-Baijani guys in track suits before, but this would be my first oppurtunity.



I stopped in at the enormous Suntec Convention Center - which was hosting quite a few of the youth olympic events - and found myself in the middle of an incredibly delightful food court. You can imagine my delight when I found I could get noodle soup with fish balls and lots of green vegetables for breakfast here. You pick out your items from baskets and then they boil it all for you in incredibly hot water right before your eyes, whang it in a bowl with some dipping sauce, and off you go. Delicious.


The mysterious Fish Spa.

Singapore, much like Hong Kong, is actually a gigantic and interconnected mall. I figured this out soon enough, primarily because it's by far the easiest and coolest way to get where you want to go on foot. I managed to make it to the Esplanade, and came out within sight of the harbor and the iconic Mer Lion statue. It's a hell of a sight.

I made tracks for the Asian Civilizations Museum, which I had heard was fantastic. This was entirely the truth.



I adored these pop-art cartoons of famous Asian "heroes". This is Mouse Deer (an Indonesian favorite), Hanuman, and I believe Vishnu. Don't quote me, though. The exhibit was obviously pitched for kids but I enjoyed it entirely too much.

I spent the most time in the Southeast Asia gallery, primarily because I don't know much at all about the art of the region and would rather like to learn. I know exactly jack about Indonesia and Malaysia and was happy to have the museum step in to help. There was plenty of Khmer art on offer which was even better. I need to make myself an expert on Cambodian art, oh, you know, yesterday.


Contemplative Hindu guy. Con Cobra. Apparently multiples cobras are a popular vehicle for Vishnu when vehicles are displayed.


The Javanese are extremely attached to their keris knives, which are ascribed with an almost spiritual import. Have a sign.


A sign. As important as wives/flutes/et all. You know.


Indonesian throne for royals. Absolutely gorgeous.


Some more ritual knives. I find these a bit appealing.



The Makara, a mythological Hindu creature. This particular wooden statue was just awesome. I want twelve in my backyard.



This lion, created out of Islamic calligraphy, was particularly striking. Probably signifies Ali, who was, after all, known as the Lion of God.


Have a sign.


A lovely embroidered Chinese coat.


As explained.


I guess I failed Filial Piety.


Fantastic Chinese scroll painting, by....


One Zhang Guolao and Lan Caihe. You know.


I believe this is a Sumatran statue. I was shushed by the guard after taking the photo. Apparently it is okay in some rooms and not others. Okay.


Knives of the Deccan plateau. There may be a knife theme here.


They shall be explained.


A vehicle of Garuda, trotted out for major religious festivals. I don't know how I've managed to miss these throughout my entire time in India. It's a little embarrassing.


And a vehicle of a lion.


Tamil Nadu? They love this bidness.


Doomed aquarium fish.

Lunch was Singapore Chili Crab. Anyone who knows me and my proclivities may guess at my thing for Singapore chili crab. My father makes a fantastic version. I went off a Chowhound tip off and selected Palm Beach seafood, which happened to be located conveniently closely to the Fullerton Hotel, the Asian Civilizations Museum, and the Mer Lion (always covered in hordes of eager looking Japanese tourists). The restaurant was typical Chinese seafood joint "chic", with gigantic aquariums as the focal point of pretty much everything. I was seated next to a businessman, who delicately and systematically took apart a lobster. Not me. Oh, no, not me. I don't know why they use white table clothes in these places, you know? Seems like a bad idea. Bad idea when I'm in evidence anyway. I commune with crab, I get close to it, I get up in it's shit (as the saying goes). This is a tactile, semi-erotic, embarassing-when-viewed-in-public but oh so good experience for me. Poor businessman at the next table, having to witness the horror.


They give you a lovely appetizer of dried fish with sweet chili sauce pre-crab, which I deeply appreciated. i love dried fish.



I had spicy morning glory, which came out first. Excellent. Some sort of dried fish material in here. I am always down for dried fish. Hooray!



I took photographs of this crab with pretty much the same ambition and passion as a porn photographer. Can't say I'm embarrassed. Look at this beast. Just look at it. Good lord. It's like an erotic dream I've had, the sort of dream you carry with you throughout the day and that sort of enraptures you but is way too embarrassing to share with anyone. You get my drift? Or, you know, there is the alternate possibility that most people do not in fact have erotic dreams about crabs doused in chili sauce and in fact I am alone in the world, which is a sad and tragic thought. Well, look at this fucker. Just look at it. Didn't cost TOO much as these things go, either. The memories last forever. Forever.



Good lord, I took a lot of photos of this crab. The waitstaff obviously thought I was insane. Such is the lot of a food blogger.

So, the Merlion. Symbol of Singapore. It's quite new, actually - thought up by the tourism board in 1966 and conceptualized soon afterwards. The fish body represents the city's origins as a humble fishing port, and the head represents the city's original name of "Singapura" - city of the lion. (Apparently the city's Malay founder had an encounter with a funny-looking lion on the island and named it as such). There are five Merlion statues in the city - only five official ones - and the tourism board carefully controls how the image is used. The primary statue originally was placed at the mouth of the Singapore river, but was moved to its current Official Viewing Platform near the Fullerton Hotel in 2002. It is now crawling with Japanese tourists. Getting a picture of it is difficult.



I walked back past the modern art museum, but couldn't summon up the energy to go inside. I did take pictures of this fantastic Ming Wong sign.....\


And these emotionally distressing statues.

So there's this thing called hostel culture, or at least I call it that. I am often gripped by flights of superiority and other repellant personality traits: I do not like or approve of hostel culture, and herein I will explain why. Hostel Culture seems to revolve around a bunch of people from the same (or pretty much country) who speak (pretty much) the same language and look (pretty much) the same, sitting around the hostel and getting sloshed together and feeling they have had a profound cultural experience. Look, it's fun to get drunk with new people, god knows I'm the last person to deny that, but it's the insular, lurking nature of Hostel People that pisses me off.

Why bother traveling to an exotic city if you're going to spend the entire vacation in the general vicinity of the hostel or on the front porch of said hostel, drinking can after can of cheap beer and discussing one's own country in great detail? What's the damn point? Not to mention that such a situation inevitably leads to quick-onset and vicious drama - someone hooks up with someone, someone accuses another someone of stealing someone's stuff out of their bunk or whatever, someone flips out and wants to go home but can't, and on and on and on. Staying at hostels is fine, there's no harm in that, meeting people at hostels is fine, but dear God get out of Dodge and check out the city instead of hanging out out front. I have succumbed to this same impulse before and now I try to avoid it. It is not inevitable. I like to think this is the truth.

I chatted with a few folks in the interest of solidarity, figured out (per usual) that no one was interested in going to eat weird-ass food with me, and shoved off in the direction of supper. Which was conveniently nearby. The mosque was beginning to fill up with worshippers, and rice and dates were beginning to be dispensed out of enormous and steaming vats to the faithful. All the cats in this neighborhood are missing bits of their tails. The men walk by a little too closely, just like in India, and just like in India I put up mental angler-fish spines and they mostly leave me alone. I like to think I am clever and fierce and urbane. This is also probably a fallacy.



Chowhound commanded that I sample some Malay Muslim food, and not being one to deny the hive mind, I made tracks for such. Hjh Maimunah was located quite close to Little India in what appeared to be the Muslim sector of town, and it was rocking after midnight. Ramadan was in full swing and packs of families were chowing down after a long day's fast.



The second discovery I made was that Malay Muslim food is 1. delicious, 2. cheap and 3. plentiful. A rice plate loaded with stuff cost about seven Singapore dollars and was enough to feed at least two of me. I picked out fish in black soy sauce, tripe cooked with coconut milk, sambal greens, dried stir-fried fish (one of my favorites of all time) and some sweet chili sauce on top. Scrumptious.

I committed a horrible sin and began eating with my left hand (suppose to be used for toilet functions, icky as fuck to use for food, you know the rest, but i am left handed, so, you know, it's a dilemma) , but a nice little lady next to me tapped me on the shoulder and pointed at my right hand. Whoops. Thankfully this was all in good fun and we made friends in a sort of broken English way immediately afterwards. A normal looking British guy walked in a few minutes later with a hijabed and ultra traditional looking Malay woman. His wife? What's the story there?

After dinner, I decided to make for the Esplanade and the bay to see what it looked like all lit up at night. This, as always, entailed more walking. I've never felt quite as safe in a darkened and immense city at night as I did in Singapore. It's one of the many benefits of the whole "benevolent dictatorship" thing. I hate to say it, but, well, truth. I ran into the Nigerian team en route, who were attempting to find a place to hail a cab so they could get back to the Olympic Village. I took them under my wing and guided them to the Raffles taxi stand.

Well, I did one good deed that day.

I ended up walking under the hyperactively modernist opera house to get to the Esplanade, finding myself semi-lost in a warren of Mall Mall Mall. I walked by a pack of teenage boys, who watched me coming with big glittery eyes for a moment. "Hello there!" one boy said in a shy voice, and I said something approximating "Good evening" to him in passing since I was intent on my goal. I heard him say behind my back, triumphantly, "See, I talked to her!" to his friends.


I finally got back to the hostel - feet hurting like hell, but happy - and set up my laptop. I began chatting with the professorial looking guy next to me. Turns out he was indeed a professor of anthropology at (of course) Sacramento State University. Lived in Midtown. He was in the city doing research on Wallace - you may know him as Darwin's arch rival - who did a large amount of work in Indonesia (mostly Borneo) and deposited some documents on his evolutionary study and the city's origin in the local archives. A Tamil Indian gent joined the discussion, and we spent the next two hours merrily discussing the fabric of the universe, showing each other pictures of stromatolites and Indonesian and Tamil art, and arguing about the cultural and actual status of women in India, Indonesia, and the USA. I am a hobby evolutionary biologist (what a thing to be) and derived extreme pleasure from talking to someone who actually was one. This would be the upside of hostels.

I then retired to my bunk upstairs at around 2:00 AM. I discovered to my displeasure that the Bollywood club next door did not, in fact, close at 11:30 like nice Bangalore clubs but instead kept rocking all night long. Thankfully, ear plugs and a stuffed whale shark clamped over my face blocked out the noise. I dropped off.

Tuesday, August 24, 2010

Freaky Giant Shark! Tasmanian Tigers! Drag Queens! To Singapore!


GREAT BIG DEAD THINGS

Lyn had decided to throw a dinner party for me prior to my departure to Singapore. Mexican food is the cuisine most shamelessly and egregiously butchered in Asia, so we decided to introduce our Australian friends to the wonders of chili, cornbread, taco dip and guacamole. We are kind, kind souls. I got the chili burbling merrily away, shed a single tear at the thought of what passes for "Mexican" food in Asia, and departed with Mike for downtown. The Western Australian Museum awaited.

I'm a total museum nut. Wherever there is one, I'm there. Double plus points are added if the museum is old and has a large collection of stuffed, mounted, or otherwise preserved Dead Critters. The Perth Museum, to my immense personal satisfaction, happens to contain all these happy things and more. It is one of the most enjoyable natural history museums I've seen - they manage to do a lot of interesting things with a not so-huge space. As a North American, it's especially fascinating to see a European or American style museum done up with Australia's pertinent wildlife, historical artifacts, and art. The large and aggressively colonial building also has an air about it that simply screams "IMPORTANT ACTS OF NATURALISM OCCUR HERE," which pleases me inordinately. You simply shouldn't miss it if you're in Perth.


I started with the Room of Bones. As previously mentioned, my lovely cousin Laura is a paleontologist in training, with a particular focus on, well, dead stuff. The girl has a serious and life long affection for bones. I also see the inherent charm and pleasing aspects of Dead Stuff, so was inordinately thrilled with this exhibit. How often do you get to see marsupial bones? And stuffed, mounted marsupials with staring little button eyes, begging you from beyond the grave to please please please don't exterminate my species I will be very sad? Not often, that's what. (And too bad about your species, little furry marsupial thing. Terribly sorry).



I had never seen a Koala skeleton before, and I am willing to place bets that you haven't either (unless you're Australian, which is cheating). It is extremely funny looking and a bit unnerving. Just like koalas.

God, screw koalas.



The museum had a superb butterfly exhibit, which I stared at in complete kaleidoscopic awe for a good long while.



I am usually politely ambivalent to butterflies, but an entire wall of the things - and Australia does some funny looking specimens - was completely striking.



I could photograph these all day.



This is a Tasmanian Tiger, which I am entirely certain none of you have ever seen before. This is because, of course, they are almost certainly extinct. The Thylacine was once Australia's biggest surviving marsupial predator, and, prior to the arrival of humanity about 60,000 years ago, ranged all over the continent. Aboriginal people and their dingos eventually pushed them back onto the island of Tasmania, where they lived in relative prosperity and comfort (for a carnivorous marsupial).

This all went straight to hell when European settlers arrived in the late 1800's and early 1900's. The Thylacine was regarded as a nuisance predator and a menace to sheep (and made for a lovely rug), and was wiped out with remarkable speed and efficiency by modern weaponry. Some were kept and bred successfully in zoos, but the species's downfall occurred rapidly and in a time not particularly moved by conservationist concerns: they were extinct by 1936.




In the 1930s, video footage was taken of the last Thylacine, which provides us with an eery and almost unbearably poignant window into the past. The final one died in the Hobart Zoo in 1936. Among the animal's interesting adapations was a backwards facing pouch (like the wombat) and a remarkably widely opening jaw, as can be seen in the video. They also possessed the ability to perform a bipedal "hop" in the manner of the kangaroo, and could stand on two legs for a long period of time. They often communicated in reasonably dog-like barks or yips, and possessed a much more mild and retiring attitude then its bad-ass cousin, the Tasmanian Devil.


Some vague hope remains that the Thylacine may still be slinking around remote bits of Tasmania. It's not entirely impossible - if there's anywhere where things can go undiscovered for a terrifically long time, it's Australia - but it's definitely unlikely. Sightings are registered on a quite regular basis, and are written up at this vastly interesting website. I myself am trying hard to keep the dream alive.



I read that comparative anatomy professors enjoy tossing in a thylacine skull with a dog skull in exams, just to catch people. There are minor differences. Laura could probably tell. I sure as hell could not.



The Perth Museum possesses, to my extreme nerdy delight, a mummified Thylacine body. It was found in a cave on the mainland in WA and is thus over 3,000 (4,700 is probable) years old - that's the date when the species was pushed back to Tasmania by introduced dogs. It's a fascinating thing to look at. That is perhaps the greatest appeal of Australia to me and to other zoology inclined minds. Nowhere else provides so many fantastic windows into the past.



HOLY CRAP IT'S A CARNOTAURUS. This was a fantastic display, especially because it made extremely loud roaring and stomping sounds, scaring the ever loving crap out of any nearby children. Note the highly realistic ribbon of drool.



The Murchison Meteorite. Does not derive, sadly, from Western Australia's Smallest Meteroite Crater, which we almost decided to drive out to see, but then suddenly regained our sanity. Meteorites please me, especially the notion that they ever so occasionally whang innocent old ladies upside the head.



Here, have a sign. It'll interpret shit.



There was a great display of traditional Aboriginal foods. Here's a tasty repast. Wichetty grubs, local fruits, and some delicious, juicy Quokka. Actually, I am willing to bet that quokka tastes awesome. Adorable fluffy things almost always do.



IT'S STROMATOLITES! BACK AND BETTER THEN EVER! Well, not doing much at all really.



Yes, it's another Eurypterid. They make my heart go pitter-pat. I think I would probably marry a guy who just presented me with a slab with one of these puppies in it instead of a ring.

Might be hard to wear, though.



The museum has a fantastic Aboriginal gallery, which pays due (and longly awaited) attention to the horrifying treatment Australia's natives recieved at the hands of European interlopers. It's also a great introduction to the incredible continuity of culture the Aborigines enjoy (or, uh, enjoyed). The Aborigines have been in Australia for upwards of 60,000 years and can boast the oldest continuous culture on earth. Some speculate that their religion, art, and beliefs is indicative of what all of our ancestors believed at the very beginning of things. Pleasant to think about, innit it?

I was particularly drawn to these "cave" Wandjina paintings, which illustrate ancestral beings of the Western Kimberley. The eyes are eery. These images now crop up occasionally in graffiti all over Australia. Avid conspiracy theorists (like our friend from Cervantes) may note they look a lot like the "Grey" aliens that so dearly love to probe retired desert dwellers. Far out, man.



Here, have a sign.



The crown jewel of the museum is definitely what I casually refer to as the Freaky Giant Shark. Which is an entirely accurate moniker for the thing. It is in fact a Megamouth shark specimen preserved in some sort of formaldyhyde compound. For reasons presumably known only to the museum, it has thoughtfully been plonked down in a tank outside.



There aren't any signs pointing this out.. To actually see it you must be 1. the type of person who is exceedingly committed to seeing a freaky giant shark and will do research and ask around, or 2. the type of person who will wander with a cup of coffee through the grounds, poke your head into a small outbuiliding, look down, and go, "Christ, look at that giant freaky shark!". It was a very satisfying experience, I must say. The Megamouth is one of only a few specimens preserved for human viewing, and it's a rare freaky giant shark indeed. There's a leaky looking crack in the glass that covers it, but this does not seem to concern anyone much. They'll be sorry when the shark comes back to life and devours half the city, won't they be?



These deeply offputting critters were only discovered in 1976, and have occasionally shown up on beaches since. They also show up occasionally in Asian fisherman's nets, leading to comical situations wherein scientists desperately attempt to photograph or preserve the specimen, while aforementioned fishermen calmly hack the flesh up and sell it for the stock pot. (Presumably megamouth tastes at least decent.) They're completely harmless to humans, surviving entirely on plankton and jellyfish. They are also among the planet's laziest feeders, preferring to float along in the deep ocean with their mouth open, hoping stuff will swim in. I wish I could do that.



After the museum, Mike and I decided to make like a Megamouth and acquire some food, preferably in as lazy a fashion as possible. We finally settled on a sushi place and tucked into some sashimi. The restaurant's outside eating area just so happened to be a front row seat to the Australian Sex Party rally occurring in the downtown square. The rally was helpfully supplied with a lip-syncing drag queen in a flamenco dress and a profusion of people in bondage pants, mohawks, and other "punk" clothing items that are just a few years past uncool in the USA. Bless their hearts.

Aussie elections are going on right now, you see, and they are entirely too complex for me to even attempt to explain (nor, I suspect, would anyone care). Apparently everyone is compelled by law to vote, and also gets TWO votes - first choice, second choice. This allows room for things like the Sex Party. The rally particularly addressed the issue of same sex marriage, which seems to be up for the voters this go round. I do hope it passes. Us dysfunctional Californians finally did it after much sturm und drang, after all. Aussies better step up. The rally did perfectly illustrate what is so pleasant about Perth. It is safe, clean, attractive, and functional, and it is also perfectly willing to host Sex Party rallys, drag queen shows, and all matter of tomfoolery in its public civic areas. How decent. How lovely. It's almost enough to make you want to spit.

I headed back to the apartment for a nap, figuring that it would do to get all the sleep I possibly could prior to touching down in Singapore. Furthermore, I wanted to be on my game for the dinner party. I had lots of guacamole to make.

Lyn's lovely friends came over soon enough, and we dished out guacamole, chili, and incredibly delicious New Zealand wine. My flight left at 12:00 midnight, so I attempted to fortify myself with spicy food. I can think of few nicer ways to say goodbye to an entire continent then with copious amounts of tasty food and wine. There were even mini ice cream cones. My God.



Lyn makes a startlingly good (and bad for you) corn pudding.

We toddled off to the airport (to use an Aussieism Lyn has ferociously adopted) and sat around in the airport for a while, marveling over the remarkable price of Australian books. I finally said a tearful (not really) goodbye to Lyn, shouldered my bag and accompanying whaleshark/pillow, and headed off to Singapore. After being forced to go through security three different times due to offending gel products (which I had packed according to American standards, although THIS IS NOT AMERICA the ever so pleased security guard informed me), I got on the plane. Which no one was on. Economy first class it was, with an entire row to myself. Slept the sleep of death.